Of particular interest in the clipping are two notations: 1) Countee Cullen, like other African American LGBTQ luminaries of the Harlem Rennaissance, felt compelled to hide their sexual and gender identities as members of the Salem United Methodist…
The male role of Hastiin Tłʼa was that of the medicine man. Their female role was that of a weaver. This artist, Hastiin Tłʼa, broke tradition when capturing the patterns used in their elusive impermanent sandpaintings in the relative stability or…
Kumu Hina, an educator, social and political activist, and Hawaiian cultural practitioner, shares her experience as a transgendered woman exploring her half Hawaiian, half Chinese ancestry. In her talk, she shares about a recent trip to China which…
Our community is vibrant, resilient, and robust, but it does not yet own the brick-and-mortar spaces it needs to commune, heal, and build. The South has the largest LGBTQ+ population in the United States – with Atlanta being a Black Queer (BlaQueer)…
From “Shedding a StraightJacket” produced by GLBT Historical Society, October 1996; Paul Gabriel, videographer and curator; Edd Dundas, editor and duplicator.
Alastair Heron writes a lengthy response on behalf of the working group to the criticisms that have been voiced by Friends and other commentators. This is published in The Friend on April 12th.
Letters between George Gorman (Friends Home Service Committee) and Alastair Heron & Duncan Fairn (study editors) reveal the rush to prepare for printing and distribution.